Portrait Painting From Master Copy and From Life: New Video Online Course


Recently I painted my husband's portrait using the same technique and pigments I used to copy a head study by Van Dyke.

Purchase this Portrait Painting Course Browse my online art courses or become a member to access all the courses for an affordable monthly rate with personal instruction available.

Head of a Bearded Man Wearing a Wheel Ruff, by Anthony Van Dyck, c. 1628

Copy of Van Dyck's Head of a Bearded Man by Sadie Valeri


For both paintings, I started by establishing the basic shapes and value pattern with a single umber paint, working transparently.

For the next stage, I painted the flesh tones with a thin layer of opaque paint. I am using Lead white, raw sienna, and burnt sienna for the flesh tones. I also added deeper shadow accents with ivory black and burnt sienna.

Working on top of the wet underpainting, I painted another layer to increase the value range and refine the light and shadow areas. My strokes are short and broken (separated so the under layer shows through), and not over-blended.

The final layers add refinements and detail to the previous layers. Still, I resist over-blending, and previous layers are left visible between strokes.

The complete video course also includes how to prepare the double-toned linen panel.


Purchase this Portrait Painting Course Browse my online art courses or become a member to access all the courses for an affordable monthly rate with personal instruction available.

671 views0 comments